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- Originaltitel : The Day After Tomorrow
- Filmtitel in Ihrem Land : The Day After Tomorrow
- Jahr der Film : 2004
- Genres des Films : Action, Abenteuer, Science Fiction, Thriller,
- Status-Film : Released
- Veröffentlichungsdatum : 2004-05-26
- Die Unternehmen der Film : Lions Gate Films, Twentieth Century Fox Film Corporation, Centropolis Entertainment, Mark Gordon Productions, Mel's Cite du Cinema,
- Länder Film : United States of America,
- Sprache des Films : English, 日本語, Français, العربية, Español,
- Durasi Of film : 124 Min
- Stimme durchschnittlich : 6.2
- Youtube ID des Films : Ze8Gshk53Y8
- Übersetzung von Film : TH,ID,FR,SV,DE,RU,TR,FI,ZH,CS,PT,HU,PL,NO,SR,HE,EL,UK,KO,PT,CA,RO,EN,IT,NL,DA,BG,JA,FR,ES,
- Filmbesetzung :Sela Ward (Dr. Lucy Hall), Dash Mihok (Jason Evans), Arjay Smith (Brian Parks), Michel 'Gish' Abou-Samah (Saudi Translator), Christopher Britton (Vorsteen), Japanese Astronaut), Nassim Sharara (Saudi Delegate), Kenneth Moskow (Bob), Emmy Rossum (Laura Chapman), Christian Tessier (Aaron), Vitali Makarov (Yuri, Austin Nichols (J.D.), Dennis Quaid (Jack Hall), Perry King (President Blake), Jake Gyllenhaal (Sam Hall), Richard Zeman (Flight Director), Russian Astronaut), Sasha Roiz (Parker), Nestor Serrano (Gomez), Jay O. Sanders (Frank Harris), Ian Holm (Terry Rapson), Kenneth Welsh (Vice President Becker), Carl Alacchi (Venezuelan Delegate), John Maclaren (Veteran Scientist), Tamlyn Tomita (Janet Tokada), Glenn Plummer (Luther), Russell Yuen (Hideki, Adrian Lester (Simon), Mimi Kuzyk (Secretary of State)
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The Day After Tomorrow ist eine gute film von ausgeschieden Lions Gate Films, Twentieth Century Fox Film Corporation, Centropolis Entertainment, Mark Gordon Productions, Mel's Cite du Cinema, Verwendung Beschreibung des Films "Lange prognostiziert, setzen sie plötzlich innerhalb kürzester Zeit weltweit ein, gewaltige Naturereignisse, die eine neue Eiszeit einläuten: Hagelstürme in Tokio, Schneefälle in Indien, Tornados über Los Angeles. Endlich reagiert auch die Regierung und evakuiert alle US-Bürger der südlichen Staaten nach Mexiko, während man mangels Zeit alle anderen dem sicheren Kältetod überlässt. Einzig Klimaforscher Jack Hall kämpft sich durch Blitzeis und Schnee nach Norden, denn sein Sohn sitzt in der New Yorker Bibliothek fest.". Der Film wurde mit hervorragenden grafischen Qualität hergestellt, beste Ohr Platzen Klangqualität und Beste mit Schauspielern.
Sie sind fast nur beobachten : The Day After Tomorrow von Lions Gate Films, Twentieth Century Fox Film Corporation, Centropolis Entertainment, Mark Gordon Productions, Mel's Cite du Cinema, in qualitativ hochwertige Video- so dass sein sollte, freigegeben aus Ihrem Land. Ihre Favoriten sofort movie, Verwendung drücken eines Leistungsschalters! mit uneingeschränkt Grße Bandbreite und Inhalte zu streamen, zu beobachten was Sie wollen,, wenn Sie benötigen, sind!
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Set Decoration : Victor J. Zolfo, Sound Engineer : John Bires, Set Production Assistant : Mariana Acuña Acosta, Set Decoration : Paul Hotte, Set Costumer : Arlynn Abseck, Visual Effects Coordinator : Erica Headley, Third Assistant Director : Paul Drouin, Art Direction : Martin Gendron, Propmaker : Patrice Jacques, Animation Supervisor : Danny Gordon Taylor, Construction Coordinator : Rejean Brochu, Modeling : Yoshiya Yamada, ADR Editor : Kerry Dean Williams, First Assistant Director : Kim H. Winther, Casting : April Webster, Author : Jeffrey Nachmanoff, Musician : Maria Newman, Makeup Effects : Sylvania Yau, Set Dresser : Louis Dandonneau, Scenic Artist : Donald Beaulieu, Set Designer : Frédéric Amblard, Art Direction : Tom Reta, Gaffer : Logan Leabo, Second Assistant Director : Erik Ajduk, Visual Effects Supervisor : Ian Hunter, Transportation Coordinator : Javier Gunther, Visual Effects Producer : Raoul Bolognini, Camera Operator : Alfonso Maiorana, Dialogue Editor : James Matheny, Camera Loader : Charlie Newberry, Hairstylist : Sandy DeBlasio, Casting : Randi Wells, Finance : Linda Strause, 3D Artist : Zack Judson, Executive Visual Effects Producer : Marc Sadeghi, Steadicam Operator : Gary L. Camp, Key Hair Stylist : Janis Clark, Makeup Effects : C.J. Goldman, Digital Intermediate : Lorene Simpson, Original Music Composer : Thomas Wanker, Visual Effects Supervisor : Greg Anderson, Visual Effects Supervisor : Greg Strause, Storyboard : Timothy Burgard, Casting Assistant : Bryan Riley, Post Production Assistant : Jeff Schweikart, Unit Production Manager : Joe Dishner, Helicopter Camera : Steve Hertler, Set Designer : Vincent Gingras-Liberali, Assistant Production Coordinator : Guylaine Boucher, Sculptor : Lucie Fournier, Visual Effects Supervisor : Colin Strause, Associate Producer : Kim H. Winther, Location Manager : Lily Flaschner, CG Supervisor : Sean Andrew Faden, Camera Operator : Georgia Packard, Dialogue Editor : Daniel S. Irwin, Chief Lighting Technician : Jean Courteau, Makeup Effects : Adrien Morot, Matchmove Supervisor : Alia Agha, Visual Effects Producer : Casey Conroy, Executive Producer : Kelly Van Horn, Visual Effects Art Director : Alexander Laurant, Author : Roland Emmerich, Visual Effects Supervisor : Karen E. Goulekas, Special Effects Supervisor : Louis Craig, Set Decoration Buyer : Stacy Weddington, Software Engineer : Chamberlain Fong, Visual Effects Supervisor : Conny Fauser, CG Supervisor : Dagan Potter, Sound Designer : Randy Kelley, Visual Effects Editor : Nicolas Anastassiou, Stunt Coordinator : Charlie Brewer, Dolly Grip : Alain Masse, Visual Effects Producer : Jody Echegaray, First Assistant Editor : Robert Berman, Makeup Artist : Elisabeth Fry, Visual Effects Producer : Petra Holtorf, Sound Designer : Harry Cohen, Post Production Supervisor : Jeffrey Harlacker, Production Manager : Daniel Auclair, Electrician : Paul Postal, Location Manager : Kenneth E. Fix, Production Design : Barry Chusid, First Assistant Sound Editor : Victor Ray Ennis, Line Producer : Tavin Marin Titus, Visual Effects Supervisor : Rocco Passionino, Visual Effects Producer : Mike Chambers, Visual Effects : Kristen Branan, Pre-Visualization Supervisor : Daniel Fort, Foley : Glenn T. Morgan, Leadman : David M. Milstien, Stand In : Martin Brisebois, Supervising Sound Editor : Larry Kemp, Set Designer : Alex Touikan, Executive Producer : Stephanie Germain, Script Supervisor : Sophie Boyer, Associate Producer : Lawrence Inglee, 3D Animator : Jeremy F. Butler, Key Costumer : Valerie T. O'Brien, Original Music Composer : Harald Kloser, I/O Supervisor : Ryan Beadle, Painter : Gloria Ciraolo, Driver : Chris Haynes, Production Accountant : Manon Lapointe, Casting Associate : Scott David, Unit Manager : Paul Boutin, Second Unit Cinematographer : Tom Yatsko, Utility Sound : Schavaria Reeves, Costume Coordinator : Lyse Pomerleau, Art Direction : Michele Laliberte, Steadicam Operator : Francois Archambault, Techno Crane Operator : Richard Boucher, Director : Roland Emmerich, Sound Mixer : David O. Daniel, Loader : Amelie Duceppe, Still Photographer : Kerry Hayes, Digital Producer : Andra Bard, Grip : Joost Clerinx, Property Master : Denis Hamel, Set Designer : Stephanie Gilliam, Executive Producer : Ute Emmerich, Producer : Roland Emmerich, Makeup Artist : Sharon Ilson, Script Supervisor : Kim Berner, Boom Operator : Timothy P. Salmon, Rigging Gaffer : Gilles Fortier, Sound Designer : Ann Scibelli, Digital Effects Supervisor : Bryan Grill, Production Illustrator : Michael Meier, Construction Coordinator : Bruce Di Valerio, Production Coordinator : Danielle Boucher, Conductor : Blake Neely, Negative Cutter : Gary Burritt, Camera Operator : Francois Archambault, Supervising Sound Editor : Mark P. Stoeckinger, Art Direction : Réal Proulx, Camera Operator : Eric Goethals, Roto Supervisor : Stephanie Taubert, Local Casting : Cate Praggastis, Construction Coordinator : Alain Brochu, Producer : Mark Gordon, Creature Technical Director : Vijay Myneni, Transportation Coordinator : Daniel Matthews, Assistant Property Master : Eric Bardin, Sound Recordist : Tim Gomillion, Production Sound Mixer : Douglas J. Schulman, Music Editor : Emanuele Arnone, CG Supervisor : Hans Uhlig, Art Department Coordinator : Nancy A. King, Rigging Gaffer : Frank Dorowsky, Color Timer : Michael Eaves, 24 Frame Playback : Marie-Pierre Tétreault, Costume Supervisor : Kenn Smiley, Music Editor : Bob Beher, Visual Effects Editor : Michael Cavanaugh, Pilot : Al Cerullo, Lighting Technician : Stéphane Byl, Visual Effects Supervisor : Chris Watts, Sound Recordist : Dennis Rogers, Visual Effects Producer : Todd Isroelit, CG Supervisor : David Prescott, Property Master : Claire Alary, CG Supervisor : Andrew Waisler, Technical Supervisor : Irfan Celik, First Assistant Editor : Quincy Z. Gunderson, Camera Operator : Peter Hutchison, Digital Compositors : Sean Apple, Sound Re-Recording Mixer : Doug Hemphill, Sound Effects Editor : Michael Kamper, Visual Effects Supervisor : Richard Britton, Set Designer : Steve Cooper, Visual Effects Supervisor : Jerry Spivack, Camera Operator : Gary L. Camp, Special Effects : Neil Corbould, Hairstylist : Kathryn Powell, Stunts : Marcello Bezina, Unit Publicist : Joe Everett, Hairstylist : Réjean Forget, Lighting Supervisor : Chris Wells, Visual Effects : Diane Macke, Key Grip : Marc Andrus, Camera Operator : Bill O'Drobinak, Transportation Captain : John Bober, Art Direction : Gerald Sullivan, ADR & Dubbing : Derek Casari, Orchestrator : Frank Bennett, Director of Photography : Ueli Steiger, Makeup Effects : George Tucci, Best Boy Electric : Edison Jackson, Lighting Artist : David B. Menkes, Sound Designer : Alan Rankin, Video Assist Operator : Julie Garceau, Craft Service : Chris Winn, Set Designer : Karl J. Martin, Construction Foreman : Eric Lafrance, First Assistant Camera : Michel Bernier, Executive In Charge Of Production : Vanessa R. Jordan, Sound Recordist : Chris Walmer, Systems Administrators & Support : Joe Ardent, Set Medic : Jean Marchand, Construction Coordinator : Michel Brochu, Co-Producer : Thomas M. Hammel, Assistant Art Director : Camille Parent, Costume Supervisor : Robert Q. Mathews, Visual Effects : Michael Leung, Visual Effects Producer : Michael Meagher, Carpenter : Jane Kilkenny, Supervising Art Director : Claude Paré, Set Designer : Caroline Alder, Still Photographer : Takashi Seida, Key Makeup Artist : Kathryn Casault, Stunt Coordinator : Branko Racki, Editor : David Brenner, Casting : Andrea Kenyon, Set Designer : Hugo Santiago, Utility Stunts : Nick Brandon, Sculptor : Andrew Semple, Transportation Co-Captain : Spiro Tsovras, Art Department Assistant : Una Martin, 3D Supervisor : Rina Strause, Costume Design : Renée April, Rigging Grip : Richard Complaisance, Visual Effects Supervisor : Remo Balcells, Sound Recordist : Jon S. Trebilcock, Second Unit Cinematographer : Anna Foerster, Sequence Leads : Jason Iversen, Location Manager : Céline Daignault, Camera Technician : Steven J. Winslow
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[Blueray] The Day After Tomorrow (2004) Online-Streaming-
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